Bahamas’ “I Got You Babe”

Album art for "Barchords" by Bahamas.With just a guitar and a drumset—and occasionally, two lovely ladies in coordinating dresses humming—Afie Jurvanen is able to create compelling, easy-going rock tunes served with a side of folk. “I Got You Babe”, from his latest full-length, Barchords, opens with a catchy Weezer-esque riff and floats along to evocative cymbal accompaniment matched by Jurvanen’s sweet, drawn-out ooohs.

Short and sweet, “I Got You Babe” takes a relatively simple repeated musical phrase and uses it to explore the deeper, conflicted second-guessing that follows the end of a relationship.

I sang loud, my voice cut through the crowd
As if I was anybody that might have something to say
Standing tall I seemed to know it all
But the only thing I know is that I’ve never known someone like you

I’m gonna figure out how it is
That I had you
That I got you, babe
That I held you and I lost you

Time stood still and I had my fill
Of all the things we did and all the things we could’ve done
Looking back, would you cut me some slack
For all the times I left you when I should’ve stayed right by your side?

I’m gonna figure out how it is
That I got you
I got you, babe
And I held you and I lost you

You can find Bahamas (Afie Jurvanen) at CBC Music (where you can listen to “I Got You Babe” for free), on Myspace, and at his official site. You can also follow him on Twitter, and you can buy his music on iTunes.

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Conservative vs. liberal TV

As if more evidence were needed that liberal-leaning Americans are more intelligent (and have better taste) than conservatives:

The top-ten Republican-tilted shows are “The Office,” “Rules of Engagement,” “The Mentalist,” “New Yankee Workshop,” “The Big Bang Theory,” “Castle,” “Desperate Housewives,” “Dancing With The Stars,” “The Biggest Loser,” and “Grey’s Anatomy.” The top ten most Democratic-leaning shows are “Washington Week,” “Tavis Smiley,” “Late Show with David Letterman,” “The View,” “PBS NewsHour,” “NOW” on PBS, “House of Payne,” “ABC World News Now,” “60 Minutes” and “Insider Weekend.”

Though, I must admit, I used to indulge in “Desperate Housewives” every once in a while in high school.

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Obama’s rhetoric vs. Obama’s policy

Mm, tasty:

But as liberals have repeatedly learned to their dismay, the devil is not in the poetry of the president’s election-time rhetoric but in the prose of his apparent eagerness to seek out a compromise on almost any Republican proposal offered him. Liberals have spent decades trying to adjudicate the claims of their conflicting constituencies without focusing sharply enough on the economic well-being of a broad section of Americans. A fight for fairness and equity could unite the working poor and middle class in a winning coalition for the future, but the problem today for liberals is less the message itself than the credibility of the messenger.

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Quick list: SXSW 2012 shows

Looking back, my final estimation is that SXSW 2012 was nothing short of incredible.

Like last year, I saw almost exclusively Canadian indie acts. However, unlike last year, I saw more than twice as many shows (a whopping 52 this year, compared to 23 last year). Like last year, I ran into CBC Radio notable Lana Gay a few times, and this year I also had dinner with a posse of Canadians (local Canadian-indie radio host and friend Doug, Jamie, Andy and Alisha, Dawn, and Tim) and another Radio 3 host, Craig Norris. Other chance encounters were introductions to Leif Vollebekk, Jason Tate (drummer from The Weakerthans and Bahamas), and Matthew Barber—including a gnarly group photo with the latter. Top it off with getting into the Canadian Blast BBQ (and ending up in several photos on the Radio 3 blog), enjoying four days of a constant mild buzz fueled by free beer, and running on free barbecue and breakfast tacos… not to mention hanging out with the aforementioned Canadian friends I met… and this was a week I won’t soon forget.

Here’s hoping that SXSW 2013 is just as amazing, if not even more so!

Tuesday, March 13

  • Ariane Moffatt @ Spill
  • Half Moon Run @ Spill

Wednesday, March 14

  • Library Voices @ Canadian Blast BBQ
  • Whitehorse @ Canadian Blast BBQ
  • Said The Whale @ Canadian Blast BBQ
  • Zeus @ Canadian Blast BBQ
  • Rich Aucoin @ Canadian Blast BBQ
  • Hooded Fang @ Firehouse
  • Young Empires @ Firehouse
  • Canailles @ Spill
  • Hello Caller @ Stephen F. Bar
  • Matthew Barber @ Stephen F. Bar
  • Bahamas @ St. David’s
  • Animal Liberation Orchestra @ St. David’s

Thursday, March 15

  • Leif Vollebekk @ Spill
  • Adam & The Amethysts @ Spill
  • Sun Wizard @ Headhunters
  • The Stanfields @ Trinity Hall
  • The Evaporators @ Headhunters
  • Dog Day @ Trinity Hall
  • Wintersleep @ Trinity Hall
  • Foam Lake @ Trinity Hall
  • Leif Vollebekk @ St. David’s
  • Little Scream @ St. David’s
  • The Barr Brothers @ St. David’s
  • Plants and Animals @ St. David’s
  • Patrick Watson @ St. David’s

Friday, March 16

  • Imaginary Cities @ Trinity Hall
  • Library Voices @ Trinity Hall
  • Hooded Fang @ Trinity Hall
  • Molly Rankin @ Trinity Hall
  • The Balconies @ Trinity Hall
  • Cuff the Duke @ Trinity Hall
  • Molly Rankin @ The 512
  • Parlovr @ The 512
  • Cuff the Duke @ Trinity Hall
  • Arkells @ Trinity Hall
  • Gold & Youth @ The 512
  • Eight And a Half @ The 512
  • TRUST @ The 512
  • Dan Mangan @ The 512

Saturday, March 17

  • Great Lake Swimmers @ Trinity Hall
  • Elephant Stone @ Trinity Hall
  • Body Parts @ Maggie Mae’s
  • Ben Caplan @ Trinity Hall
  • Odonis Odonis @ Red 7
  • The Evaporators @ Club de Ville
  • Parlovr @ Club de Ville
  • Dog Day @ Trinity Hall
  • Hands & Teeth @ The 512
  • Humans @ Maggie Mae’s
  • Plants and Animals @ Spill
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The flight and the blackness

I was only seven at the time—though, in those lighter days, I would have no doubt told you I was seven-and-a-half, in the manner that all children do, so eager are they to grow up and grow away—and I wasn’t expecting it to happen. Really, I wasn’t. I mean, it seemed like it would be another normal day in my prepubescent upper-middle-class suburban life, a day like any other, indistinguishable but for the cured ham tucked alongside the swiss in that afternoon’s grilled cheese sandwich.

As we drove along down the highway, me in the backseat, nanny driving, weaving, darting in and out of lanes with the proficiency of a woman rumored to have once been an operative in the clandestine service (which clandestine service, no one seemed to know, adding to its queer mystique), I unlatched the door and made the jump. The seatbelt, so artfully disguised as buckled when it had, in fact, been discreetly decoupled minutes earlier, whipped backwards with a shhhhhhzzzip and retracted into the seat back as my flailing arms caught the brief gust of 55 mile per hour (for nanny was not one to flout the law in public) wind.

Were I telling you this story a year ago, five years ago, even ten, I would’ve told you my flight lasted minutes, perhaps even five—such self-deluded exaggeration being one of the most perverse and magical traits of youth. But the flight gets shorter with each telling and, I fear, may one day evaporate into the grey mists of forgetfulness (should I ever become so old (heaven forbid)).

Regardless, the flight, though carefully planned—and, I still hold, artfully executed—was merely the beginning of a journey that would carry me through seven states, three years, and four families. For once my flight ended, I found myself writhing and broken, gore and gashes, but electrified by the instantaneous brutality of it all. As a grey haze descended over my eyes, caused no doubt by that throb-throb-throbbing parcel of skull with its skin sheared off, I saw Ms. Henderson (no doubt cool, calm, her nerves trained for just such situations), pull cautiously out of traffic and onto the median perhaps 20 yards away.

And there, after my beginning, I saw her standing over me, a puzzled look on her wrinkled yet not quite aged face, as the blackness set in, and my mind paused.

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Forest City Lovers’ “If I Were a Tree”

Album art for "Carriage" by Forest City Lovers.I was on YouTube the other day and came across a very catchy song by a band that gets nowhere near the attention it deserves: “If I Were a Tree” by Forest City Lovers. This song, with its cute yet rather vindictive lyrics, can be played on repeat for an hour without it getting old. It’s from their 2010 release, Carriage.

If I were a tree, I’d shake you off
Who needs all these dying leaves?
I’d follow my roots to the underground
Drink wine with all the thieves

If I were a tree, I would give you wood
Make you a dendrophiliac
I’d have a laugh because I could
Oh, my knots and twists are not for that

Uproot me from the ground
And plant me somewhere I belong
In the winter when my limbs are so bare

If I were a tree I would age so well
Oh, I’d watch the years paint on your face
Follow my roots to the underground
Oh, watch you disappear without a trace

You can find Forest City Lovers at CBC Radio 3, on Facebook, and at their official site. You can also follow them on Twitter, and you can buy their music on iTunes, where you’ll also find the electronically-influenced “If I Were a Tree (J-Buntz Remix)”.

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“Little Mountain” due out March 6, 2012

Album art for "Heavy Ceiling - Single".Vancouver, B.C. indie rockers Said The Whale—fresh off their latest tour across the United States accompanied by fellow Canadians We Are the City—announced that their next full-length album, Little Mountain, will be released on March 6, 2012.

The first single from the new album, called “Heavy Ceiling”, is now available on the iTunes Store. In addition, a second new track called “Big Sky, MT” is available to stream at the band’s website. Check them out!

What to expect? Though it’s too early to tell with any sense of certainty, “Heavy Ceiling” ventures into territory I haven’t heard Said The Whale seriously explore before—it’s all rock, no folk. In fact, it’s actually quite aggressive—from the faraway vocals and the building beat to the climax, where you’re buffeted by a brief but angry synthetic assault, this is no “The Light Is You”:

Is this the worst place you could be?
Stuck beneath me, buried deep
Hope this wasn’t what you dreamt
Elbows up and trying to breathe

I thought you were the moon lying sideways like you do
Eyes a crater small and blue, shining brightly
Look, it’s simple, answer me
Talking in your sleep, say good night

It all ends with the loaded refrain, “I must have fallen on you,” and with the almost ’80s-style intensity, you can feel the song collapsing around you.

At first, knowing the band’s discography and hearing the words sung in the familiar voice of singer Tyler Bancroft, it can be a bit hard to take the more aggressive sound—and particularly the lyrics—seriously. But after some listening, it’s not hard to see how something like “Camilo (The Magician)” could evolve into this.

Now, on the other hand, “Big Sky, MT” is much more traditionally Said The Whale. Ben Worcester takes the lead in this one, a flowing five-minute folk tune filled with harmonica, satisfying vocal harmonies, and the nature-centered, love-laced lyrics that have become a staple of the band:

My grandfather picks wildflowers at the top of the hill up on the mountainside
And he knows the names by their color, shape, their size
Up over the ridge and through the valleys, picking flowers by the riverside

My grandfather picks Shooting Star and Prairie Smoke where Lily-of-the-Valley grows
(Ursuline ?) and Queen Anne’s beauty failing in the (glow ?)
Up over the ridge and through the valleys, find glory everlasting in the light

For true love, for true love, he said
For true love you do the best that you can
And she will always be there when you wake up

I’ve no doubt that they released these two songs first to illustrate something: a widening of the stylistic divide between Bancroft and Worcester, taking the band in two separate musical directions, musically and lyrically. But not to worry: that’s always been one of the best things about Said The Whale—that two intensely satisfying styles can coexist in harmony, each taking the lead in certain songs but always finding a unity few other bands are able to reach, in a way that feels so natural, so right.

You can find Said The Whale at CBC Radio 3, on Facebook, and at their official site. You can also follow them on Twitter and buy their music on iTunes.

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SXSW 2012: Canadian indie invasion

Official logo for SXSW 2012: MusicThe third round of official South by Southwest 2012 showcasing artists was announced last week, adding another 400 bands to the roster for what’s become, in the somewhat modest words of SXSW organizers, “one of the largest, most influential, and most anticipated music events of the year.”

Along with that third round announcement came a long list of Canadian indie favorites; combined with the first and second round announcements, there is now a sizable contingent of our northern brethren coming to Austin to rock out in mid-March of 2012.

Here’s a list of some of the Canadian indie bands you simply must see, some of the Canadian bands you should see, and some of the acts with which I’m less familiar.

SXSW 2012: Canadian indie acts you must see

  • Arkells
    This Hamilton, Ontario band has been garnering lots of attention since the release of their second full-length album, Michigan Left, in October. The latest single, “Kiss Cam”, rocketed to the top of the R3-30, CBC Radio 3′s countdown of the week’s top Canadian indie tracks. The song “John Lennon” is a good example of their lyrical style, which for some reason always gives me a hard-to-place Motown vibe.
  • Cuff the Duke
    Fronted by Wayne Petti, this Oshawa, Ontario alt-country band recently released Morning Comes in Canada—it’s slated for a U.S. release in February 2012—and has been playing to sold-out crowds across Canada. Don’t be fooled by the alt-country stigma, though: their latest album is less twangy, cloying lines about guns and pickup trucks than it is “some of the most infectious pop and upbeat rock the band has crafted yet,” says Paper Bag Records.
  • Dan Mangan
    The 28-year old Dan Mangan has been touring to support his new album, Oh Fortune, which was released in September. Performing recently in Austin, Mangan thrilled a packed club with a forceful collection of new and classic tracks, including his undeniably cute and profusely popular “Robots“. With themes ranging from growing old to government treatment of war veterans, Mangan makes music that’s at once introspective and exuberant.
  • Great Lake Swimmers
    With singer-songwriter Tony Dekker at the helm, Great Lake Swimmers consistently puts out melodic folk rock songs that seem to me the perfect embodiment of a Canadian autumn. Reviewing 2007′s release Ongiara, the New York Times wrote, “You can hear every word, every syllable, and the melodies are just right. As I listened to it, it seemed as if it came to me like air, like breathing.”
  • Imaginary Cities
    Bursting onto the Canadian scene earlier this year with their debut album Temporary Resident, Imaginary Cities brings together Rusty Matyas and Marti Sarbit, a “soulful duo that writes urban rock tunes,” says Canada’s National Post. They’ve got a sound “both funky and familiar—as if Janis Joplin cut an album with the Counting Crows.”
  • Leif Vollebekk
    The soft guitar stylings and gentle voice of Leif Vollebekk are tied, in my mind, to street-corner performances and intimate coffeehouse gatherings—and SXSW is known for just such opportunities. With lyrics that can worm their way into the hardest of hearts, Vollebekk’s beautiful brand of indie folk-pop will warm your soul even if March in Austin proves cooler than expected. His 2010 album Inland produced “Northernmost Eva Maria” and a slew of other expertly crafted gems.
  • Library Voices
    After this summer’s release of Summer of Lust, Library Voices has surged to new heights in the charts. Their style of quirky indie pop relies on obscure literary references and fanciful formulations, and the group engages topics personal, political, and cultural—as evidenced by their wildly addictive single, “Generation Handclap“. Don’t miss out on this Regina, Saskatchewan group.
  • Metric
    After ten years of crafting songs as a band, the smooth voice of Emily Haines sent Metric into the mainstream of American alt rock radio with the single “Gimme Sympathy” from 2009′s Fantasies. They’re now national arena-rock tour veterans. Haines revealed to SPIN that a new album is set to debut in Spring 2012, so look to hear some to-be-released new music at Metric’s SXSW shows—and arrive early!
  • Parlovr
    From Montreal, Parlovr (for the uninitiated, that’s “parlor”) is best described by the Montreal Mirror as a “trio of self-professed ‘sloppy’ rockers [who] carve out a kind of pop art brut, a beautiful mess of raw (but never ridiculous) emotion and rough (but never unintelligible) textures, with bold, tender melodies standing tall from end to end.”
  • Said The Whale
    It doesn’t look to be official yet, but Tyler Bancroft of Said The Whale has told me that the band will make an appearance at SXSW for their second year in a row. Said The Whale’s live shows radiate positive energy and seem designed for singalong. Their latest EP, New Brighton, was just released last month, and their single “Lines” has left nearly every other Canadian indie song in the dust on the R3-30; it seems that Said The Whale is close to their goal of winning America. Aside from The Weakerthans, there is no better Canadian indie band currently touring. A must-see.
  • Stars
    If you can listen to their song “Elevator Love Letter” and not fall madly, passionately in love with Montreal’s Stars, you might want to reexamine your supposed humanity. Torquil Campbell and Amy Millan’s beautiful vocals make for songs dripping with sentiment, charm, and understated elegance. With an extensive catalog and their own varied histories and solo projects, don’t expect to hear the same set twice at SXSW.
  • Young Galaxy
    Stephen Ramsay, Catherine McCandless, and Stephen Kamp make up Young Galaxy, a Vancouver-based group whose latest album, Shapeshifting, is an end-to-end trove of dreamy indie pop-rock laced with ribbons of synth and reverb. The band’s releases are a study in transitions; speaking of their latest album, which is markedly different from their earlier efforts, McCandless says, “To be the same people, at different coordinates: that feels very natural to me. It’s baldly honest of where we’re at.” Except to hear some musical diversity at their SXSW shows.
  • Yukon Blonde
    These four guys put on a great live show recently at Lambert’s and will be coming back through Austin in March for SXSW. The Kelowna, B.C. indie rock band recently put out their Fire/Water EP and will be releasing a new album in the spring so, like Metric, look for some new material to surface in their SXSW performances.
  • Zeus
    A Toronto-based outfit, Zeus creates oftentimes-cute low-fi indie rock and serves as the backing band for fellow Canadian artist Jason Collett. The band, which maintains an active touring schedule that takes them throughout Canada and various parts of the States, has said to expect a new full-length sometime in “early 2012″. We’ll no doubt hear all about it at SXSW.

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Posted in Austin, Canadian Indie | Tagged , | 4 Comments

Hollerado’s “Good Day At the Races”

Hollerado - "Good Day At the Races" album coverSitting at a respectable #11 (and having peaked at #9) on the Canadian alt rock radio charts this week, “Good Day At the Races” is, in the usual style of Hollerado, catchy, quirky, and fun power pop-rock. Selected as the first single off their 10-inch compilation album, Margaritaville 2: The Reckoning—which, interestingly, comes bundled with a bottle of their “hot and healthy” Hollerado Hot Sauce—“Good Day At the Races” succeeds in having straightforward lyrics that are nevertheless hard to pin down.

The trend continues through the entire album; as Hollerado explained to Exclaim: “There’s a song about a ghost that hangs out in the mill in our old town. There’s a song about evacuating a war zone when you’re the daughter of a crazy inventor. The opening track is actually a little diddy of advice that everyone should follow.”

The first song? “Please Don’t Listen to Hollerado”.

Following the abundance of quirkiness, the video for “Good Day At the Races” features ostrich racing, close-up shots of men eating pickles, and some rather lackadaisical female dancers… if you can call them that.

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Bruce Peninsula’s “In Your Light”

Album art for Bruce Peninsula - "Open Flames"Airy guitars and quick plucks of the strings open Bruce Peninsula’s latest indie-gospel choir-rock tour de force, “In Your Light”. The ten-piece Toronto band’s second full-length album, Open Flames, was released last month after the year and a half of anticipation and sadness that followed band member Neil Haverty’s being diagnosed with leukemia. (Haverty’s cancer has since gone into remission.)

Featuring ethereal female vocals at times layered with the subtly gruff male lead, “In Your Light” effortlessly manages to create a song that’s both light yet full, quietly profound yet rich with sound. As Billboard put it, “The singer’s blues howl, coupled with the band’s grandiose choir-meets-Polyphonic Spree tendencies, make Bruce Peninsula decidedly unique in a market used to noisy guitars and sing-song vocals.”

I haven’t got the lyrics perfect yet, but take a look…

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